N E W S & P R E S S

Leveraging substantial appeal and abundant style, Why We Ride adeptly challenges the misconception of motorcyclists as “outlaw bikers” – always more of a marginal group compared to the vast majority of recreational and pro riders who have popularized motorcycling as both a pastime and a globally renowned sport....

Reasserting his status as the cinematic poet of nocturnal L.A., Michael Mann has elevated a story -- about a hit man forcing a taxi driver to take him on his appointed rounds -- into a mesmerizing ride. Piece soars on the director's style and interplay between Tom Cruise and Jamie Foxx. Should translate into muscular B.O. in all markets....

Have you opened a new location, redesigned your shop, or added a new product or service? Don't keep it to yourself, let folks know.Universal Pictures' new action-thriller "Public Enemies," which opens nationally today, was shot with Sony F23 professional high-definition cameras. Co-writer/director/producer Michael Mann and co-producer/2nd unit director Bryan Carroll....

"MTV cops" was the note scribbled by the late NBC exec Brandon Tartikoff that famously inspired "Miami Vice," and while the music and color palette have changed (black, it seems, is the new pastel), writer-director Michael Mann has refreshingly revived the series largely intact....

Q: What’s the name of your film in the MFF, and what’s it about?

A: Why We Ride. Its an inspiring adventure into the world of motorcycling, told by famous racers, passionate riders, and everyday families who ride together on the road to life.

Q: What inspired you to make this movie?

A: We started out doing research for a feature film about class-C motorcycle racers from the 1930s, with a particular emphasis on the legendary Ed “Iron Man” Kretz....

In their first appearance anywhere in media, Bryan Carroll and James Walker join us to announce their newest motorcycling film project and you can join in! Why We Ride Flims produced the critically acclaimed "Why We Ride". Now their lates project is launching and it centers around the legendary 75th Sturgis Rally!...

For a short film, “Night Shift” has a backstory of its own which gives more than the film’s glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub....

PODCAST-In this episode I interview special guest Bryan H. Carroll, the director/producer of the new motorcycle documentary film named “Why We Ride”. I dig into Bryan’s journey from where he started and how he arrived at making this documentary film....

Why We Ride is a cinematic look at the love story between a man, or woman, and their motorcycle. For most interviewees, the motorcycle was their first love; they recall the age of their first ride, who taught them how to shift gears and most importantly, the make and model of the bike....

A turning point in the career of Public Enemies producer Bryan Carroll came when he worked as a film and visual-effects editor for James Cameron on Titanic. “That’s what sparked my interest into shooting movies digitally from script to screen,” he said. When he met Michael Mann, the director was thinking of shooting the night scenes in Ali digitally....

In the new film Collateral, a lonely taxi driver, Max (Jamie Foxx), agrees to chauffeur the smooth-talking Vincent (Tom Cruise) around Los Angeles for an entire evening. He soon discovers that Vincent is running an unusual errand indeed: he is a mercenary who is methodically....

Leon Silverman leads the discussion with Bryan H. Carroll, Associate Producer, 2nd Unit Director, Post Production; Mark Chiolis, Sr. VP Marketing, Manager, Thomson Grass Valley; Paul Cameron, DP; and Dion Beebe, DP.“Dust to Glory” is an independent film directed by Dana Brown (Step Into Liquid ). Photographed with more than 70 cameras....